7,551 Royalty-Free Audio Tracks for "Liquid Funk Drum And Bass"

Characteristic rock hi-hat pattern.

Rosanna shuffle.

Jazz triplet subdivison - MIDI file.

The most common and simple blastbeat. Two measures repeated (four measures total).

Two-step drum pattern associated with the older NON-Texas two-step dance pattern.

Half time: notice the snare moves to beats 3 of measure one and two (beats 3 & 7) while the hi-hat plays only on the quarter notes. Note also, for example, that the quarter notes 'sound like' eighth notes in one giant measure.

Four-four pattern with open (o) and closed (+) hi-hat (see: percussion notation).

Fill with groove number 2 and crash

Purdie shuffle variant. Created by Hyacinth (talk) 16:33, 1 November 2010 using Sibelius 5.

Hi-hat "crescendo" from closed to open leading to the ride cymbal.

Mozambique primary bell pattern above a rumba clave. A two bell pattern played on the body and rim of a single mambo bell or high and low bongo or cha-cha bells.

Roland CR-78, Rhumba beat with metallic effect. Note on playing this audio clip This audio clip is an en:Ogg Vorbis file. For a list of compatible media players, see the article at [1].

D-beat drum pattern 2b.

D-beat drum pattern 3.

D-beat drum pattern 2a.

The 'D-Beat' in musical notation.

D-beat drum pattern 1.

Lament bass from Vivaldi's motet "O qui coeli terraeque serenitas" RV 631, Aria No. 2. Created by Hyacinth (talk) 22:25, 18 April 2010 using Sibelius 5.

Chromatic fourth: lament bass bassline in Dm (D-C♯-C(♮)-B-B♭-A).

Compound duple drum pattern: divides two beats into three. Created by Hyacinth (talk) using Sibelius 5.

Heavy metal gallop pattern on guitar power chords, with palm muting.

Tonally coherent harmonization from Beethoven's C-Minor Variations (1806).

Double funk bass drum excellent for mid tempo electro or deep hip hop.

An alternate version of the phrase, "now we gonna pour ya up a cuppa that liquid funk," with a doppler from low to high.

The phrase, "now we gonna pour ya up a cuppa that liquid funk. ".

Full version https://www. Youtube. Com/watch?v=ddh_kxumd-c.

Reggae one drop pattern, half-time variation.

Shuffle triplet-like performance.

The most basic ride pattern in rock and other styles. References: Schroedl, Scott (2001). Play Drums Today!, p.9. Hal Leonard. ISBN 0634021850 Eighth-note ride pattern played with triplet swing.

Double-time: notice the snare moves to the "&" beats (compared to "regular" time) while the hi-hat begins to subdivide sixteenth notes.

Texas two-step drum pattern associated with the dance step.

6/8 clave rhythm.

Created by Hyacinth (talk) 21:40, 28 July 2008 in Sibelius. Shuffle feel example played straight: with NO shuffle.

12/8 drum pattern.

Basic half time shuffle.

Blast beat drum pattern.

Delayed backbeat (last eighth note in each measure) as in funk music. Created in Sibelius. en:Image:Delayed backbeat.png

Basic shuffle rhythm. Created by Hyacinth (talk) 22:04, 28 July 2008 in Sibelius.

Blast beat drum pattern.

Heavy metal gallop variation featuring triplets.

The inverted version of the jazz ride pattern, which was created before the generally used one.

Drum Cadence A performed by the United States Navy Band

Heavy tom usage in a loop created with the boss br 800 rhythm editor.

Typical boogie woogie bassline on 8 bar blues progression in C, chord roots in red.

Heavy metal gallop rhythm as drum pattern.

4 measures of funk-dance bassline made with a sytrus preset in fl studio, at 110 bpm.

Unprocessed snare drum sample (1 of 4) which was created during the last recordings with my band. Recorded with a dynamic microphone. I would describe the sound as a "rock snare which wants to be a funk snare".

This is the snare sound i use to play on barry white tunes.

Reggae steppers drum pattern. One drop with bass steady on quarter notes.

9/8 drum pattern.